Star of Siam and Innocence water lilies in the Taper Courtyard reflecting pool. They’ll be around all summer long!
A new project: transforming the reflecting pool in our Taper Courtyard into a lily pond! Sounds simple, but in the end this little assignment became one of the most fascinating and challenging projects I’ve worked on to date as a project manager here at the Skirball.
Water lilies are very delicate flowers that spring up and bloom on the surface of water between leaves that float, better known as lily pads. Water lilies come in numerous varieties and colors. My first step was to find out who in the field could give me expert advise and offer me an education on these gorgeous blossoms. Randy McDonald of McDonald’s Aquatic Nurseries, that’s who!
Next we selected blooms with colors that coordinated with the aesthetics of our Taper Courtyard, including the jacaranda trees. We knew we wanted different lilies for different times of year to ensure blooms year round. Our final choice: 144 pots of Star of Siam and Innocence for the spring/summer, and 125 pots of Hawthorne lilies, the only blooming winter lily, for fall/winter. At the end of each season, we return the lilies to the vendor who re-plants and safeguards them for future use. I thought, Great, decision made. Now all we have to do is put them in the water and be captivated by their beauty. Or so I thought! Continue reading
Need someone to walk you through the options? I can help!
It’s wedding season! One of my personal joys at Audrey’s Museum Store is meeting and guiding engaged couples through the process of selecting the perfect ketubbah. A ketubbah is a Jewish wedding contract and often a decorative document that hangs proudly in the home for years to come as a symbol of mutual love, commitment, and partnership. A ketubbah may be the first contract a couple signs together and the first piece of art purchased together.
With the multitude of options for text, personalization, and artist techniques (among them lithography, hand-painting, giclee printing, and papercut), selecting a ketubbah can be a confusing decision. As ketubbah specialist, my goal is to simplify the process, to give personal attention and historical context, and to make this experience memorable and meaningful.
The Vorspans posing with their beautiful and freshly inked kettubah!
What’s especially gratifying are the continuing relationships with couples I’ve worked with over the years. In 2007, Elana Taylor and Ben Vorspan came to Audrey’s to choose their ketubbah. After much deliberation and contemplation—Audrey’s carries hundreds of ketubbah designs created by dozens of artists from all over the world, from L.A. to New York to Israel—they chose “Beside Still Waters” by Amy Fagin. What they liked about it—and what I find so appealing about Amy’s designs—are her intricate patterns and vibrant colors.
Gift of Mary and Sidney Green. SCC 9.26.
This lovely bridal gown—worn first by Eva Selbin in 1912, then altered for use by her daughter for a second generation of wear in 1936—has found new life once again… as the newest addition to the Skirball’s core exhibition, Visions and Values.
We were excited to help bring this treasured family heirloom in our permanent collection back into the galleries. As we prepared to display it, we checked in with our Senior Curator, Grace Cohen Grossman, who had studied the object in depth when the Skirball presented the exhibition Romance and Ritual: Celebrating the Jewish Wedding. Grace pointed out details of the garment. “The style of the silk satin dress with high collar and asymmetrical bands of lace is typical of the Belle Époque period, prior to World War I,” she explained. “It has a romantic, ethereal look.”
But it is no simple matter to take an object from collection storage and place it on view. Often preparations begin weeks, sometimes months, in advance during the curatorial research and conservation phases, before museum staff can even consider an installation date. Once that work is done and an object has been prepped for display, the installation itself is no piece of (wedding) cake!
So how does it happen? It begins with a mannequin…
… which must be vacuumed and prepped for display. This includes measuring it for proper fit, making adjustments to its height and waist size, and removing the arms to facilitate the dressing process. Continue reading