Graphic novel and comic book retailer Secret Headquarters (SHQ) are not only big fans of Craig Thompson but seem to know a lot about him. In a blog post expressing excitement that Craig will be at the Skirball late next week, our SHQ friends shared this funny “little primer” on our illustrious speaker.
Born: 1975 in Traverse City, Michigan Continue reading
This is the first in what we hope will be a regular series of sketches by artist Cary Meshul, Skirball Art Director. This holiday week, his illustrated musings—or “Skribbles”—focus on Passover, his favorite holiday.
On a recent trip to visit my husband’s family in northwest Arkansas (my annual pilgrimage to the South, which a nice Jewish boy from New Jersey like me approaches with a healthy mix of excitement and Woody Allen-esque trepidation), I got a chance to visit Crystal Bridges Museum of American Art, in Bentonville, Arkansas. I’d visited the site a year ago, when only the shapes of the museum’s future buildings were visible from a viewing platform in the forest. Now, after five years of planning and construction, the new museum—which opened in November of last year—is revealing itself to be unique in design and mission, but similar to the Skirball in some very significant ways.
Legend (and New Yorker reporting) has it that Alice Walton, Walmart heiress and lifelong art collector who founded and funded the museum, came to the Skirball (incognito at first, or so another version of the story goes) a few years ago when considering architects for her new museum. She visited the Getty Center and other significant buildings designed by working architects in Los Angeles, but came away from L.A. feeling that she’d found her man in the Skirball’s Moshe Safdie. Something about Safdie’s emphasis on built environments that encourage gathering, his signature commingling of structure with the natural environment, and the light and openness of the Skirball’s spaces seemed to Ms. Walton the ideal architectural point of view to take to house her burgeoning collection of American art.
Interconnections and interdependency lie at the heart of acclaimed Los Angeles–based artist Kim Abeles’ work, both in her community-based projects like Pearls of Wisdom: End the Violence, now on display at the Skirball, and in her fascinating environmental work. I had the chance to chat with Kim recently and find out a little about how she approaches her art.
For Kim, process is the most important part of any work she does, whether alone, in the community, or with collaborators. She told me, “The result is always a surprise. The unexpected connections that you discover along the way have the most impact on both the artist and the viewer. For Pearls of Wisdom, it was most important to look for ways to engage in conversation about the topic of domestic violence, because most people don’t want to address it. Some people get emotional about the show as a result of it touching their own history. Taken in its entirety, you can feel and see that Pearls of Wisdom is a chorus of people, all of them standing up and standing their ground.” Continue reading