Architectural Centerpieces (Florals Are So Last Year)

At a recent donor dinner at the Skirball, these sculptural centerpieces showcased beautiful photographs of our campus, designed by Moshe Safdie. You can also spot one of the vivid green metal art panels off the Taper Courtyard, created by Vera Ronnen.

At a recent donor dinner at the Skirball, these sculptural centerpieces showcased beautiful photographs of our campus, designed by Moshe Safdie. You can also spot one of the vivid green metal art panels off the Taper Courtyard, created by Vera Ronnen.

A common feature of Moshe Safdie’s projects is his integration of open-air spaces into his very monumental concrete and granite buildings. [In this ArtInfo interview, Safdie explains how the landscape influenced his design for the Skirball campus.] Here at the Skirball, Safdie created a series of courtyards that harmoniously link each building so that as you work your way from Winnick Hall (home to Noah’s Ark at the Skirball™) at the south end of our site toward Ahmanson Hall and Herscher Hall at the north end, you encounter blue skies and lush landscapes. As the Skirball’s founder, Uri D. Herscher, has said, Safdie “married his architecture to the hills.” The natural is as important as the architectural in creating the open, welcoming environment we have at the Skirball.

Recently the Skirball hosted an evening gala for our founding donors to celebrate the completion of our campus. The sculptural centerpieces we produced for the event are a love letter to the Skirball’s architecture. We worked with designer Gabe Gonzales at Astek Wallcovering—the firm that created the whimsical wallpaper for our recent exhibition Gary Baseman: The Door Is Always Open—to develop the build of the sculpture. Essentially each centerpiece features thirty-four interlocking round disks. Twenty-six of them display a different image on each side. Depending on how you look at the double-sided disks, you can see four different sets of images. Here are the other three views of the centerpiece: Continue reading

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Do It Yourself at diy days

diy days @ the Skirball is inspired by Moshe Safdie’s design strategies for the future of the global city. Here is one of his proposals for quality, affordable housing for the new millennia. The scale model is on view in the exhibition Global Citizen: The Architecture of Moshe Safdie. Habitat of the Future, A-Frame Habitat. View of project and surrounding landscape. Image courtesy of Safdie Architects.

diy days @ the Skirball is inspired by Moshe Safdie’s design strategies for the future of the global city. Here is one of his proposals for quality, affordable housing for the new millennia. The scale model is on view in the exhibition Global Citizen: The Architecture of Moshe Safdie. Habitat of the Future, A-Frame Habitat. View of project and surrounding landscape. Image courtesy of Safdie Architects.

I first met Moshe Safdie around 1990 when the Skirball Museum staff began to work in earnest on the planning of this cultural center. Over the years of our collaboration with him, he would mention in passing his work in Canada, Israel, and India, and I was always amazed at how he could juggle so many projects at once—no doubt due to the talented team he has assembled.

As I prepared for the opening of Global Citizen: The Architecture of Moshe Safdiea recent Domus story describes the exhibition and Safdie’s architecture very well—I began to consider how to address topics at the heart of his design philosophy. [Moshe Safdie’s “first principles” include Humanizing the Megascale, Building Responsibly, and Responding to the Essence of Place.] I didn’t want to offer yet another lecture course on architectural history. Instead I wanted to engage our audiences Continue reading

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President’s Greeting: Nov/Dec 2013

This November 28, we mark a once-in-a-lifetime coincidence in Jewish and American life: Hanukkah begins on the same day as Thanksgiving. Actually, that’s once in many thousands of lifetimes. It won’t happen again for 80,000 years!

This year’s calendar can help us appreciate the meanings of Hanukkah and Thanksgiving. Both holidays are occasions of gratitude, and both are celebrations of freedom.

In the original proclamation of George Washington, dating to 1789, Thanksgiving Day is set aside to appreciate “the civil and religious liberty with which we are blessed.” In 1863, in the midst of the Civil War, Abraham Lincoln proclaimed Thanksgiving for “continuance of years with large increase of freedom.”

Hanukkah is the Jewish echo of American ideals: the courage to resist tyranny, the struggle for religious liberty, the dedication (which is the meaning of the word “Hanukkah”) Continue reading

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Moshe Safdie: Rain or Shine

Designed by Moshe Safdie, the National Gallery of Canada was the first venue for Global Citizen: The Architecture of Moshe Safdie. Updated to include some of Safdie’s many recent projects, the exhibition makes its U.S. debut at the Skirball today. Image by Timothy Hursley.

Designed by Moshe Safdie, the National Gallery of Canada was the first venue for Global Citizen: The Architecture of Moshe Safdie. Updated to include some of Safdie’s many recent projects, the exhibition makes its U.S. debut at the Skirball today. Image by Timothy Hursley.

About three years ago I woke up in Ottawa, Canada, to a driving rainstorm. It was the morning after the gala opening of the exhibition Global Citizen: The Architecture of Moshe Safdie at the National Gallery of Canada. I was there to represent the Skirball, where the exhibition would be traveling next, and I had plenty of company—not only museum colleagues, but donors, press, media, and government leaders and dignitaries from throughout Canada. The gala was a major event, and today’s lecture by Moshe Safdie seemed like an afterthought. It was scheduled for Friday midday, not a great time for a public program in any case, and certainly not when the rain was lashing the streets and sidewalks. I lamented the poor planning and the unlucky weather. It would be embarrassing, after such a triumphant opening, for Safdie to address an empty hall.

The wind was whipping the rain sideways. By the time I turned the corner, my umbrella was inside out and I was drenched. So were the people I suddenly noticed queued up in front of me, standing patiently, if wetly, in a line stretching for blocks. I couldn’t believe it. There must have been 500 people standing in the rain, an hour before the lecture, waiting to hear Moshe Safdie. The hall wasn’t empty; it was sold out. These people were waiting to get in. Not all of them did. They watched the lecture instead on a video screen outside. In the rain.

No rain here! Lucky ticketholders for Moshe Safdie’s sold-out lecture at the Skirball this past Sunday queued up in the sunshine with a view of autumn leaves.

No rain here! Lucky ticket holders for Moshe Safdie’s sold-out lecture at the Skirball this past Sunday queued up in the sunshine with a view of autumn leaves.

By the way, it was worth it. Moshe Safdie is a gifted, dynamic speaker with a rare combination of humility, humor, and grace. But I knew that. What I had failed to appreciate, Continue reading

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A Holiday Recipe (For Your Vegan Friends)!

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As the holidays approach, people start to ask me more and more about making something delicious and inventive for their vegetarian dinner guests. Nowadays, vegan and gluten-free guests are also becoming common! I’m always up for the challenge of diet-restricted guests. This is just one of the many items I have had fun creating for the Skirball’s unique catering menu. I work hard to make every dish look as good as it tastes, and this very elegant-looking (if I don’t say so myself) vegetable tower is a creative and hearty alternative to the simple salad and is easy to make. Even the non-vegetarians will enjoy it!

Tower of Butternut Squash, Beets, and Arugula
1 butternut squash (select one with long stem neck)
1 large red beet
1 large Hass avocado, cut into cubes
Arugula
Cherry balsamic vinaigrette (Alternative: regular balsamic vinegar that has been reduced to syrup)
Salt and pepper
Sugar

Basil Oil:
1 bunch basil
1 bunch Italian parsley
Extra virgin olive oil
Salt and pepper Continue reading

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Architect Moshe Safdie Likes Legos (Breaking Bad Fans Do, Too)

Here’s my attempt to build Habitat ’67 out of Legos like Moshe Safdie once did. My preschooler wanted her Duplo® back… and I longed for stronger spatial skills.

Here’s my attempt to build Habitat ’67 out of Legos like Moshe Safdie once did. My preschooler wanted her Duplo® back… and I longed for stronger spatial skills.

If you’re a parent of a young child, like I am, you likely have LEGO® in your house. With some relief—since Legos are a fairly wholesome, harmless distraction—and maybe even pride, you’ve watched your kid stack and lock those distinctive bricks of plastic for hours on end. You’ve probably gotten down on the floor to join the fun. [Less fun: stepping on a Lego.]

Lately it feels like I encounter Legos in more places than my living room. In early summer, I kept hearing about an exhibition, The Art of the Brick®, on view at a surprising venue: Forest Lawn Memorial Park in Glendale. At its hilltop museum, my family and I eyed thirty awe-inspiring sculptures by “brick artist” Nathan Sawaya, who used thousands of Legos to handcraft each work. A few weeks later, two separate groups of friends reported that the new hotel at LEGOLAND was actually pretty cool. In mid-July, I stumbled upon a story on NPR.org probing why the Danish toy company had launched a product line specifically for girls. The reporter concluded with the right question: “Would it be so hard to develop—even market—toys for girls and boys to enjoy together?” On his “Thinking Brickly” blog, David Pickett studies the Lego gender gap more closely.

As summer waned, Legos continued to pop up in my life. Lost in a Breaking Bad internet vortex as the series finale drew near, I learned that a Lego imitator, Citizen Brick, quickly sold out of its controversial “Superlab Playset,” featuring “minifigs” of Walt (in yellow lab suit), Gus (in Los Pollos Hermanos button-down), and Mike (sporting grey stubble but looking far less hard-boiled as on TV).

Walter White and Jesse Pinkman’s underground “office” = totally disturbing plaything

Walter White and Jesse Pinkman’s underground “office” = totally disturbing plaything

Eventually Legos became a topic of conversation at work, as we geared up for our fall exhibition, Global Citizen: The Architecture of Moshe Safdie, opening October 22. As it turns out, the renowned architect, who has designed and built our Skirball campus in four phases over thirty years, used to toy around with Legos early in his career. In his book The City After the Automobile: An Architect’s Vision (Westview, 1998), Safdie describes how he began to develop a new concept for urban housing:

I began constructing large models out of Lego, stacking plastic blocks representing houses one on top of the other, each one forming a roof garden for the unit above…. This would lead two years later to Habitat, a project I designed and constructed as part of the 1967 world’s fair in Montreal.

Each of the units kinda does look like a Lego, huh? Habitat’67. Construction view. Image courtesy of Safdie Architects.

Each of the units kinda looks like a Lego, huh? Habitat ’67. Construction view. Image courtesy of Safdie Architects.

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Bring on the Buses!

How do we mark the passage of seasons here at the Skirball? Well, as this is Los Angeles, there are few, if any, golden autumn leaves to be found on our campus. But the color gold abounds every fall nonetheless—in the form of public school buses that line our main entrance each and every weekday morning.

These buses carry some of the Skirball’s most precious visitors: students in pre-K through twelfth grade and their teachers, from more than thirty districts across Los Angeles. They come to participate in any one of the number of school tours and performance programs we offer throughout the school year. While we’re proud to be providing content-rich programs that are fun and engaging, I am also struck by how much the students give back to us. Their enthusiasm and curiosity bring the Skirball to life and remind me why I love what we do here.

Recently, I cleared my calendar of meetings and snuck down to our galleries to observe a morning of school programs in action. Here are some snapshots from that day.

We welcomed four classes of students on this particular day. That’s pretty typical for us, and our team has it down to a science (really, an art). Here comes a class of kindergarteners from Yorkdale Elementary in northeast Los Angeles. Darn, they’re cute!

We welcomed four classes of students on this particular day. That’s pretty typical for us, and our team has it down to a science (really, an art). Here comes a class of kindergarteners from Yorkdale Elementary. Darn, they’re cute!

These five- and six-year-olds from Yorkdale Elementary have come to experience Noah’s Ark, our award-winning, hands-on destination inspired by the ancient flood tale. The two young Noahs-in-training pictured here are helpfully conveying a pair of monkeys onto a giant floor-to-ceiling wooden ark made of Douglas fir.

These five- and six-year-olds from Yorkdale Elementary have come to experience Noah’s Ark, our award-winning, hands-on destination inspired by the ancient flood tale. The two young Noahs-in-training pictured here are helpfully conveying a pair of monkeys onto a giant floor-to-ceiling wooden ark made of Douglas fir.

Meanwhile, back in our core exhibition, Visions and Values: Jewish Life from Antiquity to America, a class of third-graders from Estrella Elementary sits around a table set for the Jewish holidays. For this program, “At Home in Los Angeles,” the students learn about Shabbat, the weekly day of rest in Jewish tradition when families refrain from work and spend time together. Our Skirball educator is inviting the students to discuss the holidays and customs they observe with their own families. One of the girls mentions eating homemade tamales every Christmas Eve with her family, who comes from Mexico.

Meanwhile, in our core exhibition, Visions and Values: Jewish Life from Antiquity to America, a class of third-graders from Estrella Elementary sits around a table set for the Jewish holidays. For this program, “At Home in Los Angeles,” the students learn about Shabbat, the weekly day of rest in Jewish tradition when families refrain from work and spend time together. Our Skirball educator is inviting the students to discuss the holidays and customs they observe with their own families. One of the girls mentions eating homemade tamales every Christmas Eve with her family, who comes from Mexico.

At the Skirball, students learn through doing and experiencing things together. Here’s a jubilant young guy and his fellow classmates learning a traditional Jewish song.

At the Skirball, students learn through doing and experiencing things together. Here’s a jubilant young guy and his fellow classmates learning a traditional Jewish song.

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My Sukkot Traditions

My sukkah, set for a potluck lunch with friends—old and new.

My sukkah, set for a potluck lunch with friends—old and new.

Next to Passover, Sukkot is my favorite holiday. I think it always was, but it became even more so when, sixteen years ago, I invited a gentleman named Burt to join me and my family for dinner in my sukkah. I don’t think it was the brisket or homemade round challah, but later that year we were married and Burt has joyfully been building that sukkah ever since. A win-win.

My tradition of building a sukkah began forty years ago when my youngest daughter, a student in a local day school, said she would like to invite her classmates to enjoy some juice and cookies in our sukkah. Didn’t I think that was a great idea, she asked? I agreed, but surely she must have noticed that we didn’t actually have a sukkah. Not a problem. She quickly and enthusiastically suggested that it would be great fun to build one. She was right, and so began a wonderful and very meaningful tradition.

We designed it, according to Jewish law, in the shape of one of the Hebrew letters found in “Sukkot.” We selected the “hey,” a square letter that is wide open on one side. Oh, the symbolism! A trip to the hardware store to buy the decorative wooden lattice sides, a talk with the gardener to request some palm fronds, and a call to my synagogue to order a lulav (closed palm frond) and an etrog (citrus fruit), Continue reading

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Reading the The New Guard: Twenty-First-Century American Jewish Fiction

I met Taly Ravid when I enrolled in her course “Anne Frank Redux,” offered earlier this year through the Skirball’s Learning for Life program. In that course, Taly led fascinating sessions that combined engaging lectures and discussions about Anne Frank’s original diary as well as other literary treatments of the book. Taly, who is completing a PhD in English at UCLA specializing in contemporary American literature, created a stimulating environment that produced dynamic, meaningful conversations no one wanted to end. In fact, due to the students’ enthusiastic response to the course, an additional session was added!

The line-up for Taly Ravid's upcoming course at the Skirball.

The line-up for Taly Ravid’s upcoming course at the Skirball.

I have no doubt that Taly’s new course, “The New Guard: Twenty-First-Century American Jewish Fiction”—beginning next Wednesday, September 25—will offer an equally enriching experience. Read Taly’s interview below to learn more about what inspired her to create this course and to get a sense of her innovative thinking and breadth of knowledge, which are matched only by her contagious passion for American literature. There is still time to sign up! You can register here…

What inspired you to develop this course?
A few years ago, the New Yorker published its “20 under 40” list—a much-buzzed-about group of promising, notable writers under the age of 40 who are at the top of the American literary scene. About a third of the writers on the list are Jewish, yet David Remnick, editor of the New Yorker, insisted (in a New York Times interview) that the writers have nothing much in common, and the press paid little, if any, attention to these writers’ affiliation with Judaism. That struck me as a big cultural shift. Just a few short generations ago, the literary world bound writers like Bernard Malamud, Saul Bellow, and Philip Roth to their Taly Ravid's bookshelfJewishness. Those writers were presented to readers not as American writers, but as American Jewish writers. This latest New Yorker list seemed to be doing the opposite. Continue reading

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