Reproduced on the cover of the May/Jun 2013 issue of At the Skirball and the April 25–May 2, 2013 issue of the L.A. Weekly (pictured at left) is the new painting The Door Is Always Open, by celebrated artist Gary Baseman.
The title of this work—like that of our major new exhibition on the artist’s life and career—borrows a phrase from Gary Baseman’s own father. Ben Baseman used to tell his son, “Gary, the door is always open.” It was a reminder that the Fairfax District four-plex that he called home would always provide protection and loving kindness. Continue reading
The burning bush is one of the vinyl graphics used to help visitors reenact the story of the Exodus in Exodus Steps, a story performed by you, our visitors.
During this season of Passover, the Skirball Cultural Center presents the commissioned work Exodus Steps. It welcomes families of all beliefs and heritages to take part in dramatizing the deliverance of the Israelites from bondage in Egypt.
Passover has assumed the symbolic meaning of human freedom in general and of the universal hope for the end of all oppression. The act of recalling and retelling a people’s journey from enslavement to freedom is meaningful. When we retrace the steps (and even the missteps) of those who struggled for justice and equality before us, we are reminded that we, too, were once slaves. We come to experience liberation as if we ourselves were breaking from oppression.
When we walk in the path of our forebears who sought a promised land—whether in ancient history or modern-day America—we understand that we remain ever in pursuit of freedom.
Beginning in January, we present a new music series entitled “Journeys and Encounters,” featuring an eclectic line-up of global talents. Though they hail from diverse ethnic backgrounds and artistic traditions, their music-making demonstrates the beauty that emerges from openhearted cross-cultural exchange.
My son Gideon and I in Rwamagana, Rwanda.
In 2012, I journeyed to Rwamagana, in rural Rwanda, and enjoyed firsthand the joy of connecting across cultures. I was visiting Agahozo-Shalom Youth Village (the Kinyarwanda-Hebrew name, agahozo–shalom, translates roughly to “a place of peace where tears are dried”). Co-founded by my son Gideon Herscher, it is a residential community for orphans emotionally scarred by the genocide in Rwanda. One evening, Gideon brought his guitar to a gathering and sang a traditional Hebrew lullaby. The young teens listened attentively. Gideon invited them to sing a Rwandan lullaby, which they did at the top of their lungs. Continue reading
Welcome to SkirBlog, just another way into the Skirball. Photo by John Elder.
A few weeks ago, a woman from the East African nation of Burundi found herself visiting our newest exhibition, Women Hold Up Half the Sky. She was part of a small entourage traveling with the African Union Ambassador to the U.S. As the group walked through the gallery with the Skirball’s Museum Director, Robert Kirschner, the Burundian woman suddenly stopped in her tracks, listening intently. She thought she must be imagining it, for what she heard were the voices of girls singing a traditional Burundian lullaby. Where was that sound coming from, so far away from home? Bob assured her that the music was in fact part of the commissioned audio installation Amplify, by multimedia artist Ben Rubin, designed specifically to amplify the voices of women and girls that often go unheard. Moved by the idea of the project and the music from her homeland, our visitor asked if she could listen again.
This story quickly made its way around the Skirball, as stories tend to do around here. On any given day, at any moment—while grabbing a cup of coffee, rushing across the courtyard for a meeting, working a lecture or concert—any one of us staff or volunteers hears about… well, all sorts of things. Baby hummingbirds abandoned on campus and lovingly rescued by security staff and Noah’s Ark facilitators. A shy teen who found his voice participating in the Skirball’s spoken-word residency and, on the last day of the program, read a surprisingly emotional poem before a crowd of fellow high schoolers. A curator’s eye-opening visit to the L.A. home of a legendary émigré artist whose lesser-known work in film may well be the subject of an upcoming exhibition (spoiler alert not needed; we’ll tell you about it when we can). Negotiations underway for a double-bill concert starring Algerian Jewish pianist Maurice El Medioni and Cuban percussionist Roberto Rodriguez, whose joint album Descarga Oriental blew our programming team away. Continue reading