Lost and Found: A Noir Adventure

In November, children and their families participated in “Skirball Playdate: Mildred’s Purse,” a morning-long adventure offered in connection with the exhibition Light & Noir: Exiles and Émigrés in Hollywood, 1933–1950. The program included a special performance by Skirball educator Anna Dresdon, who played the title character based on the 1945 film noir Mildred Pierce. Having lost precious items from her purse, “Mildred” asked the children to help her do some detective work. Armed with special hats and magnifying glasses, they all worked together to search the exhibition for the missing items.

Before heading out into the galleries, the young detectives made their own 1940s-inspired hats. SkirBlog_Mildred's Purse_1

 

What’s this? A clue on the red carpet? SkirBlog_Mildred's Purse_2

 

I found it! One little boy discovered Mildred’s lost Oscar inside the office of Hollywood agent Paul Kohner, which is re-created as part of the Light & Noir exhibition. SkirBlog_Mildred's Purse_3

 

Beads from Mildred’s prized necklace were discovered rolling around in the Casablanca section of the exhibition.  Continue reading

Artful Penguins: A Gift from a Noah’s Ark Visitor

During my days staffing the Noah’s Ark Store, I know I work in a magical place. I’ve seen toddlers take their first steps. I’ve seen children who don’t know each other and don’t speak the same language play together. I’ve seen eighteen-month-olds negotiate their parents up from one toy purchase to three. I’ve seen good parenting and bad parenting, tantrums and delight, joy and sorrow, excitement and disappointment. And sharing. Lots and lots of sharing.

In celebration of Penguin Awareness Day, let me tell you about my good friend Aiden.

Aiden is nine years old. A cute red-haired boy, he comes to Noah’s Ark regularly with his family and has been drawing the animals aboard the Ark since he was four. I took special notice of him because he always came with a drawing pad. Eventually, Aiden began showing me his drawings after his visits to the Ark. He told me that he dreams about one day opening up his very own exhibit—re-creating the animals, adding attractions, and even creating items for his very own gift shop.

A few of Aiden's sketches and the Noah's Ark animals they are modeled after—this is one talented kid!

A few of Aiden’s early sketches and the Noah’s Ark animals they are modeled after—this is one talented kid!

One day last year when Aiden was visiting, I asked if he would draw a picture for me. He was happy to oblige! He asked me what my favorite animal on the Ark was, and I said the penguins. He agreed to bring his picture the next time they visited. Many months passed and I didn’t really expect him to remember. Continue reading

Yarn Bombing the Skirball

<i>Forest, For the Trees</i> at the Skirball. Photo by Martha Benedict.

Forest, For the Trees at the Skirball.

On select dates from January 15 through 25, visitors to the Skirball will be able to experience Forest, For the Trees, a unique and beautiful installation by local collective Yarn Bombing Los Angeles (YBLA) and the Arroyo Arts Collective. YBLA have been creating public art with fabric in Los Angeles for a number of years—from community projects to guerilla “bombs”—in locations all over town. Perhaps you’ve seen a parking meter wearing a sweater or a museum façade covered in afghans? I sat down with Carol Zou, YBLA’s self-described “head poncho,” to discuss this whimsical environmental installation that will live (and grow!) in our Family Art Studio for a brief but lively and colorful period.

What exactly is a yarn bomb?
Yarn bombing is a form of self-initiated public art using knitting or crochet. A yarn bomb transforms any item in a dull, drab environment by wrapping it in a colorful crocheted or knitted yarn piece.

What is it about working with yarn, felt, and other fiber-based materials that appeals to people? It seems like, right now, people of all ages and stripes are knitting or doing needlepoint and macramé. Are we just in the midst of a crafty era or is there something about these practices that appeals to people universally?
There’s a couple of answers to this question, and I think it all has to do with the tension between tradition and technology. With the rise of a digital and virtual world, people are starting to become nostalgic for activities that involve working with their hands in a tactile way. Working with traditional technologies such as knitting or crocheting is also a response to the development of new technologies—an individual, handcrafted object becomes really special in this age of mass production. Additionally, people participate in knitting and crocheting in order to connect to past generations. During our workshops, people inevitably start talking about their grandmother or their aunt who did this type of work. If we look at this trend as a larger metaphor, I would say the renewed interest in fiber arts is about people’s ability to find their personal identity in a hyper-digitized world through connecting to their family traditions and handcrafting an individual object.

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How did YBLA get started? Continue reading

Harvest and Hospitality

sukkot2_skirball

Stop by the Skirball’s sukkah October 8–16, except October 9 and 13, to enjoy some snacks from Zeidler’s Cart or to just spend a quiet moment.

The Jewish holiday of Sukkot begins this evening. Lasting seven days, Sukkot commemorates the fall harvest and the desert sojourn of the Israelites following their liberation from slavery in Egypt. Like many Jewish holidays, it also connects Jews to the cycles of nature. During Sukkot, Jews traditionally spend time enjoying meals with friends and family in temporary shelters called sukkot (sing. sukkah), the Hebrew word for “tabernacle” or “covering.” The sukkah is built of natural materials such as bamboo, wood, and tree branches. Its temporary, fragile nature reminds us that the bounty of summer is behind us and that the autumn season will soon bring the shedding of leaves and the dying of greenery. As summer turns to fall in Southern California, we can also take this opportunity to focus on what it means to live in a drought-stricken area—hoping that nature will bring much-needed rains to us soon. Sukkot is a time to acknowledge climate change—be it the annual cycle or the pressing issues facing the world’s population today. Continue reading

Mini-Muse

The color of Peter’s bright red-orange snowsuit is what stands out in this illustration from the groundbreaking book The Snowy Day (1962). This and dozens of other original artworks by Keats can be seen in the exhibition The Snowy Day and the Art of Ezra Jack Keats, now on view at the Skirball. Ezra Jack Keats, “After breakfast he put on his snowsuit and ran outside.” Final illustration for The Snowy Day, 1962. Collage and paint on board. Ezra Jack Keats Papers, de Grummond Children’s Literature Collection, McCain Library and Archives, The University of Southern Mississippi. Copyright Ezra Jack Keats Foundation.

The color of Peter’s bright red-orange snowsuit is what stands out in this illustration from the groundbreaking book The Snowy Day (1962). This and dozens of other original artworks by Keats can be seen in the exhibition The Snowy Day and the Art of Ezra Jack Keats, now on view at the Skirball. Ezra Jack Keats, “After breakfast he put on his snowsuit and ran outside.” Final illustration for The Snowy Day, 1962. Collage and paint on board. Ezra Jack Keats Papers, de Grummond Children’s Literature Collection, McCain Library and Archives, The University of Southern Mississippi. Copyright Ezra Jack Keats Foundation.

Up in the gallery just a moment ago I overheard a teacher instructing his group of first graders: “Remember to use your ‘library voices’ in the museum.” I smiled and thought, “Good luck with that,” and then took a moment to reflect on how much has changed for museums in the last decade or so and how much my own approach has changed when it comes to developing exhibitions for the public—the whole public, kids and all.

Museums used to be sanctuaries of art and artifact where you would expect typical visitor behavior to include thoughtful reflection and quiet awe. Here the height of the art from the floor and the level of scholarship exhibited in the text might both be well above the heads of most children. The, shall we say, exuberance of children used to be wholly inconsistent with the notion of providing profound encounters with art, not to mention the “do not touch” policy necessary in most art installations. Increasingly, though, museums are adapting to the needs of children and the special ways they learn and view the world, and they are offering kids opportunities to experience art, history, and culture in ways that are meaningful to them. As it happens, I work for such an institution.

Above left: Artwork from The Snowy Day (1962) is hung at both a child’s and parent’s eye-level on walls painted with iridescent green, pink, purple, blue, and yellow snowflakes. Visitors can also make tracks in the special “snow” feature seen here in the foreground. Above right: The second gallery of the exhibition is a haven of participatory activities, such as story writing and collage making.

Above left: Artwork from The Snowy Day (1962) is hung at both a child’s and parent’s eye-level on walls painted with iridescent green, pink, purple, blue, and yellow snowflakes. Visitors can also make tracks in the special “snow” feature seen here in the foreground. Above right: The second gallery of the exhibition is a haven of participatory activities, such as story writing and collage making.

In my role as a curator, I still adhere to the notion that quiet contemplation is a form of “visitor engagement,” but as a mom, I am grateful for museums that not only tolerate my toddler Liam’s high energy and propensity for distraction, but actually respect his ability to perceive, appreciate, and learn from art. It is a challenge to develop content for a target audience who may be just starting to develop their language skills, who will last maybe thirty minutes in a gallery, and who might very well have other media competing for their attention while they’re in the museum space. These are challenges that I faced most recently while organizing the Skirball’s presentation of The Snowy Day and the Art of Ezra Jack Keats. For this project, I found inspiration in my three-year-old mini-muse, Liam, and in the beautiful art and stories featured in the exhibition itself.

In Goggles! (1969), Peter, his dog Willie, and his friend Archie outwit a gang of bullies in order to keep the discarded motorcycle goggles they have found. Here Archie triumphantly tries on the goggles exclaiming, “Things look real fine now.” Ezra Jack Keats, “Archie laughed and said, ‘We sure fooled ’em, didn’t we?’“ Final illustration for Goggles!, 1969. Paint and collage on board.  Ezra Jack Keats Papers, de Grummond Children’s Literature Collection, McCain Library and Archives, The University of Southern Mississippi.  Copyright Ezra Jack Keats Foundation.

In Goggles! (1969), Peter, his dog Willie, and his friend Archie outwit a gang of bullies in order to keep the discarded motorcycle goggles they have found. Here Archie triumphantly tries on the goggles exclaiming, “Things look real fine now.” Ezra Jack Keats, “Archie laughed and said, ‘We sure fooled ’em, didn’t we?’“ Final illustration for Goggles!, 1969. Paint and collage on board. Ezra Jack Keats Papers, de Grummond Children’s Literature Collection, McCain Library and Archives, The University of Southern Mississippi. Copyright Ezra Jack Keats Foundation.

 

Liam modeling a pair of yellow “goggles” while visiting momma at work. These goggles are available for visitors to try on in the exhibition to encourage closer looking and to help see things from the character’s perspective.

Liam modeling a pair of yellow “goggles” while visiting momma at work. These goggles are available for visitors to try on in the exhibition to encourage closer looking and to help see things from the character’s perspective.

Children live in a highly visual world. Liam’s eyes perceive so much more than mine do—he can easily point to the tiniest speck of an airplane in the sky long before I am remotely aware of its existence. Continue reading

President’s Greeting: May/Jun 2014

2009.8.8_Rhythm Child Amphitheater_Mitch Maher (154)As a child in school, I loved field trips. Is there a child who doesn’t? The chance to escape the confines of the classroom and meet the wide and wondrous world was always a thrill. In the State of Israel, where I grew up, field trips were unforgettable adventures. Not only were we exploring a glorious landscape, we were seeing the sites of history inscribed there. One of my favorite sites was the famous Roman amphitheater in Caesarea. It was built two thousand years ago, and it is miraculously well-preserved. I was so impressed by its design: grand and spacious yet circular and intimate, and not a bad seat in the house. Music, dance, and drama performances are held there to this day. You sit not only side by side but face to face. Even better, everyone in the audience can see each other.

Enjoying the Skirball's Ziegler Amphitheater with one of my wonderful grandchildren.

Enjoying the Skirball’s amphitheater with one of my wonderful grandchildren.

The amphitheater is both a cultural space and a communal space. That is the ideal that inspires us at the Skirball—to be a place where both culture and community are celebrated.

As the school year comes to a close Continue reading

My Top Ten Puppet Festival Moments 2014

This past Sunday was my first time attending the Skirball’s annual Puppet Festival, and as soon as I reached the parking lot, it was obvious that everyone in attendance was filled with excitement and anticipation. Moms, dads, friends, and relatives were actively engaged in conversation while their children—many dressed in colorful costumes—were skipping with joy at the thought of seeing the myriad of puppets. Throughout the day, I observed many memorable moments; fortunately, talented photographer Peter Turman was there to capture some of them with his camera. The Puppet Festival was a full day of celebrating families, friends, and puppets! Click through the slideshow below to catch a glimpse of the day as seen through my favorite ten of Peter’s photographs.

1. My day at the Puppet Festival began in the craft room, where toilet paper and paper towel rolls were miraculously transformed into marionettes. The crafting materials afforded adults and children alike with a wide array of puppet possibilities, from a simple snake to a more complex elephant or giraffe. Most of the children designed their own imaginary creatures. The little girl in this photograph used buttons for eyes and an assortment of yarn for colorful hair. It is obvious from her mother’s expression that she is proud of her daughter’s original creation.

1. My day at the Puppet Festival began in the craft room, where toilet paper and paper towel rolls were miraculously transformed into marionettes. The crafting materials afforded adults and children alike with a wide array of puppet possibilities, from a simple snake to a more complex elephant or giraffe. Most of the children designed their own imaginary creatures. The little girl in this photograph used buttons for eyes and an assortment of yarn for colorful hair. It is obvious from her mother’s expression that she is proud of her daughter’s original creation.

2.	These puppets based on Stravinsky's ballet <i>The Firebird</i> were stunning. Their expressive, watercolored faces and colorful, billowing fabric bodies made their larger-than-life presence a true showstopper. I loved seeing the <i>Firebird</i> puppets interact with the children. Kids who were not intimidated by their giant stature would approach the puppets and then run away, giggling as if playing a game of tag.

2. These puppets based on Stravinsky's ballet The Firebird were stunning. Their expressive, watercolored faces and colorful, billowing fabric bodies made their larger-than-life presence a true showstopper. I loved seeing the Firebird puppets interact with the children. Kids who were not intimidated by their giant stature would approach the puppets and then run away, giggling as if playing a game of tag.

3.	Puppet Festival is for families! The event creates lifelong memories of spending time with little ones, listening to music, attending puppet shows, exploring Noah’s Ark, and catching up on the latest exhibitions at the Skirball. I particularly enjoyed watching the children munching on snacks as their faces lit up with awe. I haven’t seen so much kiddy food since grade school. Mini mac and cheese and granola bars for everyone!

3. Puppet Festival is for families! The event creates lifelong memories of spending time with little ones, listening to music, attending puppet shows, exploring Noah’s Ark, and catching up on the latest exhibitions at the Skirball. I particularly enjoyed watching the children munching on snacks as their faces lit up with awe. I haven’t seen so much kiddy food since grade school. Mini mac and cheese and granola bars for everyone!

4.	The expressions on the faces of the children in this photograph are absolutely priceless! There is something about puppets that keeps little ones completely engaged.

4. The expressions on the faces of the children in this photograph are absolutely priceless! There is something about puppets that keeps little ones completely engaged.

5.	The giant bird puppet created by Leslie K. Gray is always a real hit. Although it takes three people to guide the immense creature, the puppet appears to be almost weightless.

5. The giant bird puppet created by Leslie K. Gray is always a real hit. Although it takes three people to guide the immense creature, the puppet appears to be almost weightless.

6.	There’s something on your shoulder! At first I thought it was a parrot, but soon came to realize the object getting all the attention was a small puppet critter. The puppeteer laughed as visitors tried to interact with this strange yet absolutely adorable furry creation. All of the puppeteers at the event were enthusiastic about showing off their puppet friends.

6. There’s something on your shoulder! At first I thought it was a parrot, but soon came to realize the object getting all the attention was a small puppet critter. The puppeteer laughed as visitors tried to interact with this strange yet absolutely adorable furry creation. All of the puppeteers at the event were enthusiastic about showing off their puppet friends.

7.	This puppeteer on stilts, also known as Captain Tall Tale, navigated the Skirball grounds with ease. While his head seemed to reach the clouds, every now and then he would lean over to greet a much smaller visitor.

7. This puppeteer on stilts, also known as Captain Tall Tale, navigated the Skirball grounds with ease. While his head seemed to reach the clouds, every now and then he would lean over to greet a much smaller visitor.

8.	This drummer announced the entrance of the gigantic natural-elements puppets that gathered above the Taper Courtyard. Once they were in place, the puppets swayed to the beat of the drums as the audience joined in with the dance.

8. This drummer announced the entrance of the gigantic natural-elements puppets that gathered above the Taper Courtyard. Once they were in place, the puppets swayed to the beat of the drums as the audience joined in with the dance.

9.	In between shows, Captain Tall Tale and his friends brought out a jump rope. They were immediately swarmed by children who wanted to join in on the fun. This photograph captures a boy who appears to be part kangaroo!

9. In between shows, Captain Tall Tale and his friends brought out a jump rope. They were immediately swarmed by children who wanted to join in on the fun. This photograph captures a boy who appears to be part kangaroo!

10.	As the event neared an end, I looked around the crowd and it was obvious that the joy I had observed throughout the day had not diminished. Parents were still chatting, puppeteers continued to entertain, and children were happily playing. Suddenly, this small <i>Firebird</i> puppet whizzed over the children’s heads after the completion of its final performance. The children chased the puppet, reaching for the sky as if nothing could hold them down. The third annual Skirball Puppet Festival was indeed a day filled with laughter, excitement, and love.

10. As the event neared an end, I looked around the crowd and it was obvious that the joy I had observed throughout the day had not diminished. Parents were still chatting, puppeteers continued to entertain, and children were happily playing. Suddenly, this small Firebird puppet whizzed over the children’s heads after the completion of its final performance. The children chased the puppet, reaching for the sky as if nothing could hold them down. The third annual Skirball Puppet Festival was indeed a day filled with laughter, excitement, and love.

.

1. My day at the Puppet Festival began in the craft room, where toilet paper and paper towel rolls were miraculously transformed into marionettes. The crafting materials afforded adults and children alike with a wide array of puppet possibilities, from a simple snake to a more complex elephant or giraffe. Most of the children designed their own imaginary creatures. The little girl in this photograph used buttons for eyes and an assortment of yarn for colorful hair. It is obvious from her mother’s expression that she is proud of her daughter’s original creation.2.	These puppets based on Stravinsky's ballet The Firebird were stunning. Their expressive, watercolored faces and colorful, billowing fabric bodies made their larger-than-life presence a true showstopper. I loved seeing the Firebird puppets interact with the children. Kids who were not intimidated by their giant stature would approach the puppets and then run away, giggling as if playing a game of tag.3.	Puppet Festival is for families! The event creates lifelong memories of spending time with little ones, listening to music, attending puppet shows, exploring Noah’s Ark, and catching up on the latest exhibitions at the Skirball. I particularly enjoyed watching the children munching on snacks as their faces lit up with awe. I haven’t seen so much kiddy food since grade school. Mini mac and cheese and granola bars for everyone!4.	The expressions on the faces of the children in this photograph are absolutely priceless! There is something about puppets that keeps little ones completely engaged.5.	The giant bird puppet created by Leslie K. Gray is always a real hit. Although it takes three people to guide the immense creature, the puppet appears to be almost weightless.6.	There’s something on your shoulder! At first I thought it was a parrot, but soon came to realize the object getting all the attention was a small puppet critter. The puppeteer laughed as visitors tried to interact with this strange yet absolutely adorable furry creation. All of the puppeteers at the event were enthusiastic about showing off their puppet friends.7.	This puppeteer on stilts, also known as Captain Tall Tale, navigated the Skirball grounds with ease. While his head seemed to reach the clouds, every now and then he would lean over to greet a much smaller visitor.8.	This drummer announced the entrance of the gigantic natural-elements puppets that gathered above the Taper Courtyard. Once they were in place, the puppets swayed to the beat of the drums as the audience joined in with the dance.9.	In between shows, Captain Tall Tale and his friends brought out a jump rope. They were immediately swarmed by children who wanted to join in on the fun. This photograph captures a boy who appears to be part kangaroo!.

All photos by Peter Turman

Marionettes: An Interview with René Zendejas

renes_marionettes The third annual Puppet Festival is this Sunday, April 13. From hand to shadow, marionette to pageant-size, all your favorites will be there! The Skirball is especially happy to welcome back puppeteer, storyteller, and puppet maker René Zendejas. René returns to wow families with a special animal puppet revue and performance, showcasing some of his best handmade animal puppets. I sat down with René as he was preparing for his appearance to ask him about his long career in the world of puppetry.

How did you get started in puppetry?
I started when I was in junior high school. My mother took me to see as many puppet shows as possible that were playing in L.A.

Which puppeteer captured your imagination when you were young?
I had already started in show business when I was five years old, so this wasn’t something totally new for me. One of the puppeteering teams that caught my eye was Walton and O’Rourke—the most fantastic puppeteers that I have ever seen. From then on, I was smitten. They’re long gone by now. They had the most beautiful marionettes and their manipulation was unsurpassable—except by me, of course.

How do you make your puppets?
First, the clay is sculpted using water-based or grease clay. Second, a plaster mold is made of the clay sculpture. Then you pour your final material into the mold, either plastic or latex. Then comes the finishing of the figure by sanding. Lastly, you animate it—if there is to be any animation in the eyes and the mouth—and paint it. Meanwhile, the body must be constructed and costumed. Continue reading

Rockin’ Out with Kids

Seeing a child arrive at the Skirball for his or her first rock concert is a perk of my job; knowing they’re getting that jittery feeling you get when you’re about to be in the presence of those voices you’ve spent hours with, at home or in the car, memorizing every word and drumbeat.

In my experience, the people in these amazing bands are always just as excited as the kids to rock out together in person. In just a few weeks, our special Winter Family Concerts bring two creative, kid-friendly acts to the Skirball: two-time Parent’s Choice Award winner Jambo on Saturday, December 28, and 2013 Grammy nominee for Best Children’s Album The Pop Ups on Sunday, December 29. I thought it would be interesting to find out more about these groups as they prepare for their upcoming performances, and they were kind enough to oblige.


Jambo 1
JAMBO

The mission of musical group Jambo has always been to get people of all ages up and dancing. For years, husband-and-wife team Steve Pierson and Melinda Leigh have been using their imaginative performance style to transport audiences through the roots of American music. They’ve made several appearances at the Skirball’s Family Amphitheater Performances series, and they’ve always been a big hit. I spoke with Steve Pierson about Jambo’s beginnings and what inspires him to keep performing.

How did you get started in performance?
I always played music and performed as a kid. I studied piano when I was young, but when my older brother taught me some chords on the guitar, I never looked back. I started out playing acoustic guitar in coffee houses and small venues; playing James Taylor, Paul Simon, Eric Clapton, Allman Brothers, as well as my original songs. I was always heavily into blues music and played in a few different local blues bands till I put together my own band, Steve Pierson & Blues Head, and started touring around the country playing large blues festivals and small roadhouse bars.

What is one memorable moment from your performing career that stands out?
There have been a few shows that have really stuck with me over my career as a performer, but as it relates to Jambo, one of my first shows was very memorable. I wrote these songs for my own daughter and had no intention of performing them outside of our own home. We played a show at a local elementary school and the experience blew me away. The kids had such unbridled enthusiasm for the music and everyone was having so much fun. The kids were so loud that we couldn’t hear ourselves on stage! jambo2I had a blast and it clicked for me that I could play the music I love for these families and it didn’t have to be “dumbed down.” It became my mission to present young kids with really great musical experiences.

What music inspires you?
Dan Zanes was the first person I heard playing “real” music for kids, and I also really loved the Jack Johnson Curious George record. These were songs for kids that adults really liked listening to as well, and that’s what I wanted to make. After that, my music borrows from my musical heroes: The Band, The Rolling Stones, Ry Cooder, anything Stax or Muscle Shoals, and of course the blues greats including, but not limited to, the three Kings (B.B., Albert, and Freddie), Taj Mahal, Albert Collins … the list goes on.

How did you come up with your group’s name?
I was trying to come up with something that would sound fun, groovy, and inviting. “Jambo” is a combination of “jam,” as in a jam session or party, and “gumbo,” a delicious Louisiana dish that is a combination of rich flavors and ingredients. I felt like the name was kind of like a “roots music stew” where I could stir in influences from Chicago, New Orleans, Texas, and the Mississippi Delta. Of course, Jambo also means “hello” in Swahili, which I love because it is so welcoming and evocative of the cultural diversity that I try to bring to the music.

What influence has your family had on your art?
My family has been a huge influence on my art. I never would have written these songs for children if it hadn’t been for the inspiration my own daughter brings me. I have always tried to write from her perspective and about things that she likes or issues she has struggled with. I wanted these songs to be helpful to her as she is growing up, and it has been a blessing to be able to pass that along to all the kids and families that hear my music. It’s been so great to be able to share this project and perform with my wife as well, making it a true family affair! It’s our mission now to bring “real roots music” to kids and do a little part to fill the void left by diminished school budgets and dwindling music programs.

 

dsc_0098THE POP UPS

The Pop Ups are not your typical children’s band. The duo’s incorporation of puppets, props, and colorful sets into their show has garnered praise from the Wall Street Journal and a Grammy nomination for Best Children’s Album. We’re excited for The Pop Ups to bring their high energy and wildly inventive tunes to the Skirball. I spoke with Jason Rabinowitz and Jacob Stein about their influences and what we should expect from their upcoming performance.

How did you get started in performance?
We both started very young. Jacob’s father had a kids band called Dino Rock, Continue reading

Rhythm Is Gonna Get You

The mission of music group Rhythm Child has always been to get people of all ages up and moving. For the past six years Rhythm Child founder, Norm Jones, has been inspiring young drummers and their families to get up and move as part of the Skirball’s Family Amphitheater Performances series. If you’ve been to any of the group’s last six performances, you know that once Jones passes out his instruments and lays down a beat, the Amphitheater comes thumping to life! I’ve always loved the energy and enthusiasm of Rhythm Child, so I thought it would be interesting to find out more about this fun and feisty musical collective as they plan for their Amphitheater performance on July 21st.

How did you get started in performance?
I grew up being inspired by the performance of others (my brother’s band, choirs in church, supper club shows that my mom took me to). I watched how these singers moved the audience with style, humor, and emotion. For years I practiced at the mirror in my basement before I ever took the stage and performed for people.

What part of performing for live audiences do you enjoy the most?
I love the immediate feedback that you get from a live audience. There is an exchange of energy that is unquestionable. There is a feeling of being out there on the edge without much of a safety net and usually the audience is open and willing to go for the ride. What I hope for is that everyone walks away feeling connected and inspired.

What is the most memorable moment from your career?
I must say that performing at the White House was pretty cool. I got to have my family with me on stage for one of the greatest days of my career.

What music or artist inspires you? Continue reading