I met Taly Ravid when I enrolled in her course “Anne Frank Redux,” offered earlier this year through the Skirball’s Learning for Life program. In that course, Taly led fascinating sessions that combined engaging lectures and discussions about Anne Frank’s original diary as well as other literary treatments of the book. Taly, who is completing a PhD in English at UCLA specializing in contemporary American literature, created a stimulating environment that produced dynamic, meaningful conversations no one wanted to end. In fact, due to the students’ enthusiastic response to the course, an additional session was added!
I have no doubt that Taly’s new course, “The New Guard: Twenty-First-Century American Jewish Fiction”—beginning next Wednesday, September 25—will offer an equally enriching experience. Read Taly’s interview below to learn more about what inspired her to create this course and to get a sense of her innovative thinking and breadth of knowledge, which are matched only by her contagious passion for American literature. There is still time to sign up! You can register here…
What inspired you to develop this course?
A few years ago, the New Yorker published its “20 under 40” list—a much-buzzed-about group of promising, notable writers under the age of 40 who are at the top of the American literary scene. About a third of the writers on the list are Jewish, yet David Remnick, editor of the New Yorker, insisted (in a New York Times interview) that the writers have nothing much in common, and the press paid little, if any, attention to these writers’ affiliation with Judaism. That struck me as a big cultural shift. Just a few short generations ago, the literary world bound writers like Bernard Malamud, Saul Bellow, and Philip Roth to their Jewishness. Those writers were presented to readers not as American writers, but as American Jewish writers. This latest New Yorker list seemed to be doing the opposite. Continue reading