About Erin Clancey

Erin Clancey is Curator at the Skirball Cultural Center.

Winter To-Do List: Part 2

Building upon yesterday’s post, our curators have two more recommendations for your winter break excursions. Erin Curtis, who is managing our current retrospective, Global Citizen: The Architecture of Moshe Safdie, visited the Autry’s new permanent exhibition. And Erin Clancey, who is herself hard at work on a Skirball exhibition about a rock legend (to be announced soon!), ventured to the Grammy Museum to see an exhibition honoring rock music icon Ringo Starr. Read below for two more exhibitions to add to your list. And don’t forget—any well-planned winter break museum crawl should also include our Global Citizen, so we hope to see you at the Skirball this month. Happy museum-going!

 

Once upon a Time

Art of the WestI had been planning to visit Art of the West, the new permanent exhibition at the Autry National Center, since it opened on June 15. I’ve long enjoyed the Autry’s exhibitions about the American West, in part because I find “the West” to be a fascinatingly imprecise concept (each person has different ideas about exactly who and what comprises the West). I was looking forward to seeing a new display of art from the Autry’s collection that examines, in the words of the Autry’s website, “how shared values and interests have inspired artists from different cultures and times to create distinctive, powerful works that speak to their experience of the West as both a destination and a home.” Also, I too like cowboys.

War Music II by Mateo Romero, on display with a 1948 Indian Roadmaster motorcycle.

War Music II by Mateo Romero, on display with a 1948 Indian Roadmaster motorcycle.

The pieces in the exhibition are organized around three simple yet powerful themes: “Religion and Ritual,” “Land and Landscape,” and “Migration and Movement.” Grouping diverse objects together in broad categories allows for unusual, eye-catching, and often provocative juxtapositions of pieces from different places, cultures, and periods. In the “Migration and Movement” section, a 1948 Indian Roadmaster motorcycle sits beneath Mateo Romero’s War Music II.

Around the corner, in the “Religion and Ritual” section, a totem pole from the Pacific Northwest stands near a crucifix of roughly equal height. These often unexpected pairings are one of the show’s strengths.

David Levinthal’s The Wild West series.

David Levinthal’s The Wild West series.

I was also particularly drawn to the exhibition’s photographs, including David Levinthal’s six-part series The Wild West, for which the artist photographed toys in order to depict the West as he imagined it in his childhood. There is also a lovely display titled “Yosemite after Adams,” dedicated to the challenges that contemporary landscape photographers face in capturing Yosemite National Park years after it was so famously and definitively documented by Ansel Adams. Okay, there weren’t any sharks (as a visitor requested in my photo above), but a visit to the Art of the West is my winter break recommendation nonetheless.

Read the Los Angeles Times review of Art of the West.

Erin Curtis

 

 

“Don’t Pass Me By”

Ludwig black pearl drum set with Beatles logo

Ludwig black pearl drum set with Beatles logo

If you are a fan of The Beatles (who isn’t?), don’t pass on the exhibition Ringo: Peace & Love, currently at the Grammy Museum until March 30, 2014. Continue reading

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Quick… Before It Disappears!

The curtain will soon close on Masters of Illusion: Jewish Magicians of the Golden Age—on view for just three more weeks. As our team prepares to return the fantastic objects we borrowed to their rightful owners, I find myself reflecting on what made it so rewarding for me.

I especially enjoyed meeting family members of some of the performers spotlighted in the exhibition.They shared amazing personal stories as well as priceless memorabilia. Les Arnold, who bears a striking resemblance to his grandfather Leon Levy (known on stage as The Great Leon), shared a photo of Leon atop an elephant. Riding alongside him is his wife, Edythe Packard Levy (of the Packard Motor Car family), and an assistant.

The Great Leon, center, shows off his “exotic” origins in a photo that was in fact taken in New York City. On loan from Les Arnold, grandson of The Great Leon.

The photo is inscribed “Simla, India, April 24th, 1908”—but as Les explained, “Simla” was closer to the Bronx Zoo than the Taj Mahal. Leon faked the photo to pass himself off as the great Hindu fakir “Kadan Sami” and to earn a spot on B.F. Keith’s hot-ticket vaudeville circuit. In another photo, Leon is pictured in an act he called The Fakir’s Supper, also designed to transport his audience to a mystical and mysterious foreign land. In this  illusion, Leon would pull all of the items for a great banquet from the foulard over his arm! Leon passed on his love of magic to his grandson and great-granddaughter: Les and his daughter Alex continue to perform as the comedy magic duo Les Arnold and Dazzle. Continue reading

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