The designs of Hanukkah lamps often incorporate architectural forms. In 1985 the Israel Museum, Jerusalem, invited leading architects to submit designs of Hanukkah lamps for an exhibition entitled Nerot Mitzvah: Contemporary Ideas for Light in Jewish Ritual. The hanukkiah pictured below was designed by Richard Meier, the architect of the Getty Center just down the road from the Skirball. An original is on view in the Skirball’s core exhibition, Visions and Values: Jewish Life from Antiquity to America.
Each of the chess piece–like candleholders represents architecturally a place where Jews have experienced major crises. These historical events are arranged chronologically by branch from left to right.
The obelisk on the far left represents Egypt—historically the period of slavery culminating in the Exodus story.
Second is a column of Roman style, representing the destruction of the Second Temple by the Romans in 70 CE.
The third branch is a castle-like tower representing England, from which there was an expulsion of Jews in 1290. Specifically it may be the Tower of York where there was a massacre of Jews in 1190. Continue reading
These words begin many of the most powerful stories we hear. The first-person telling of an experience is one of a kind; it includes details that can only be recounted by the individual who lived it. Passing stories on from generation to generation and from community to community is central to our mission here at the Skirball. Simply put, it’s a place where people’s histories—and a people’s history—matter.
As of this fall, visitors to our core exhibition, Visions and Values: Jewish Life from Antiquity to America, now have the opportunity to view testimonials of Holocaust survivors provided by USC’s Shoah Foundation Institute for Visual History and Education. Since I oversee the development of programs for school groups, it fell to me and my staff to create a Visions and Values gallery tour for high school students that not only includes the video testimonials, but that gives teenagers an understanding of the socio-economic and political context that led to national socialism in Germany and the atrocities of the Holocaust.
It has been a daunting task.
At a recent donor dinner at the Skirball, these sculptural centerpieces showcased beautiful photographs of our campus, designed by Moshe Safdie. You can also spot one of the vivid green metal art panels off the Taper Courtyard, created by Vera Ronnen.
A common feature of Moshe Safdie’s projects is his integration of open-air spaces into his very monumental concrete and granite buildings. [In this ArtInfo interview, Safdie explains how the landscape influenced his design for the Skirball campus.] Here at the Skirball, Safdie created a series of courtyards that harmoniously link each building so that as you work your way from Winnick Hall (home to Noah’s Ark at the Skirball™) at the south end of our site toward Ahmanson Hall and Herscher Hall at the north end, you encounter blue skies and lush landscapes. As the Skirball’s founder, Uri D. Herscher, has said, Safdie “married his architecture to the hills.” The natural is as important as the architectural in creating the open, welcoming environment we have at the Skirball.
Recently the Skirball hosted an evening gala for our founding donors to celebrate the completion of our campus. The sculptural centerpieces we produced for the event are a love letter to the Skirball’s architecture. We worked with designer Gabe Gonzales at Astek Wallcovering—the firm that created the whimsical wallpaper for our recent exhibition Gary Baseman: The Door Is Always Open—to develop the build of the sculpture. Essentially each centerpiece features thirty-four interlocking round disks. Twenty-six of them display a different image on each side. Depending on how you look at the double-sided disks, you can see four different sets of images. Here are the other three views of the centerpiece: Continue reading
diy days @ the Skirball is inspired by Moshe Safdie’s design strategies for the future of the global city. Here is one of his proposals for quality, affordable housing for the new millennia. The scale model is on view in the exhibition Global Citizen: The Architecture of Moshe Safdie. Habitat of the Future, A-Frame Habitat. View of project and surrounding landscape. Image courtesy of Safdie Architects.
I first met Moshe Safdie around 1990 when the Skirball Museum staff began to work in earnest on the planning of this cultural center. Over the years of our collaboration with him, he would mention in passing his work in Canada, Israel, and India, and I was always amazed at how he could juggle so many projects at once—no doubt due to the talented team he has assembled.
As I prepared for the opening of Global Citizen: The Architecture of Moshe Safdie—a recent Domus story describes the exhibition and Safdie’s architecture very well—I began to consider how to address topics at the heart of his design philosophy. [Moshe Safdie’s “first principles” include Humanizing the Megascale, Building Responsibly, and Responding to the Essence of Place.] I didn’t want to offer yet another lecture course on architectural history. Instead I wanted to engage our audiences Continue reading
This November 28, we mark a once-in-a-lifetime coincidence in Jewish and American life: Hanukkah begins on the same day as Thanksgiving. Actually, that’s once in many thousands of lifetimes. It won’t happen again for 80,000 years!
This year’s calendar can help us appreciate the meanings of Hanukkah and Thanksgiving. Both holidays are occasions of gratitude, and both are celebrations of freedom.
In the original proclamation of George Washington, dating to 1789, Thanksgiving Day is set aside to appreciate “the civil and religious liberty with which we are blessed.” In 1863, in the midst of the Civil War, Abraham Lincoln proclaimed Thanksgiving for “continuance of years with large increase of freedom.”
Hanukkah is the Jewish echo of American ideals: the courage to resist tyranny, the struggle for religious liberty, the dedication (which is the meaning of the word “Hanukkah”) Continue reading