For the twelve-year-old boy in me who wrote a fifteen-page paper on the effect of comic books on children during World War II, Superman at 75: A Jewish Hero for All Time is a dream program. Joining together an expert like Larry Tye with Jack Larson (THE ORIGINAL JIMMY OLSEN!!!!), Richard Donner (director of the Christopher Reeves Superman), and Geoff Johns (chief creative officer at DC Comics),means bringing our audience a rare concentration of expertise and celebrity. Honestly, I wouldn’t dare go see the new Superman movie without hearing what the four of them have to say!
I couldn’t even wait ’til the program to grill Larry Tye, author of Superman: The High-Flying History of America’s Most Enduring Hero, about his favorite Superman and how he first learned about our favorite superhero’s Jewish roots.
What first drew you to Superman?
Two things: I was intrigued by why we as Americans embrace the heroes we do, and decided one way to explore that would be to look at our longest-lasting hero of the last century, Superman. The other reason was I wanted to be ten years old again, and revisiting my childhood pal let me feel like I was.
What is your favorite Superman plot?
I loved the 1990s series where he fought his most dastardly enemy ever (Doomsday), died in the arms of his beloved (Lois), and, after the requisite funeral and mourning, came back to life. Those stories reminded me that what comic book creators take away, they can give back, and they reminded the world why it loved (and needed) Superman.
How did you become aware of Superman’s Jewish roots?
Partly by reading all the good works on the Man of Steel’s ethnicity that came before, partly by reading Superman creator Jerry Siegel’s unpublished memoir, which no one other than his family and lawyers had seen before. Continue reading →
The month of May marks annual National Bike Month, during which people in cities all over the country are encouraged to ride more, learn about bike safety and mechanics, and commute to work. I myself have been a bike commuter for almost twenty years, first when I lived in Seattle, riding through rain, sleet, and hail to get to my high school teaching job, and now climbing through a mountain pass to get from my home in Santa Monica to my job at the Skirball.
I am often asked why I ride my bike to work (and if I’ve totally lost my mind or have a death wish), especially in the last few years during the massive construction project along the 405, which has made the 405 corridor bumpier and more haphazard (and hazardous).
For me, riding my bike has always been a mix of personal pleasure and public service. I enjoy the exercise of it, the hour or so of vigorous riding to begin my day. But I also see it as a way to honor that very core Jewish value which we at the Skirball try to impart through our programs and exhibitions: that of taking care of the earth and each other. I feel, perhaps naively, that I’m doing something (albeit a small something) for our planet: a bit less CO2 emitted from a tailpipe, a few more friendly exhales in the direction of the plants along the road, a bit less stress put out into the world.
I start out each early-morning ride pedaling through the dark in Santa Monica with a red light on the back of my bike and a headlamp strung up around my helmet. Continue reading →
It was with a young girl’s excitement that I learned the Skirball would be presenting The Hits, the Life, and the Lost Lyrics of Allan Sherman, a conversation between author Mark Cohen and journalist/film producer Tom Teicholz about the legacy of song parodist and comedian Allan Sherman. Mark Cohen has written the first biography of Allan Sherman and I am excited to learn more about this voice that had such an impact on my childhood. I still remember listening to Allan Sherman’s songs when they were released. We had a record player in the room I shared with my sister, and that’s where we listened to his records. I don’t remember how many albums we had, but we played the songs over and over and laughed ourselves silly—including my parents. Of course, the song I remember most is from the homesick kid at sleepaway camp: “Hello Muddah, hello Faddah, here I am at Camp Granada …”
Listen to Sherman’s “Hello Muddah, Hello Faddah” here:
We really appreciated this humor for at least two reasons: First, I went away to a girl scout camp and was so homesick and unhappy, Continue reading →
Ever since I made the decision to leave the security of a paid day job to be a full-time graphic novelist, my goal has been this: to pursue what I love.
When Jordan Peimer, Vice President and Director of Programs at the Skirball Cultural Center, asked me to work on moderating a panel about graphic novels—a subject that aligns perfectly with the current exhibition Gary Baseman: The Door Is Always Open—my first thought was, “Cool, I’m completely not cut out for this.” But after some deliberation, and considering the heavy-handed Who’s the Lars von Trier of Comics approach, I concluded I’d do what I have done my whole career: follow my heart. This has always led me down the path of success, and undoubtedly would not fail me now.
There is a Los Angeles pride in me that has always considered the Skirball to be a hallmark of L.A. arts and culture for the past decade. I knew each member of this panel had to be an Angeleno. Continue reading →
Reproduced on the cover of the May/Jun 2013 issue of At the Skirball and the April 25–May 2, 2013 issue of the L.A. Weekly (pictured at left) is the new painting The Door Is Always Open, by celebrated artist Gary Baseman.
The title of this work—like that of our major new exhibition on the artist’s life and career—borrows a phrase from Gary Baseman’s own father. Ben Baseman used to tell his son, “Gary, the door is always open.” It was a reminder that the Fairfax District four-plex that he called home would always provide protection and loving kindness. Continue reading →